The Sprawl (Propaganda About Propaganda)

Two unknown men speak on the phone. They discuss their involvements in military operations in eastern Ukraine, accompanied by images of a chaotic stroll through a nightly, Russian forest.

A plane passes through the moonlit night sky, and a voice recites a poem by Anna Akhmatova, while a woman, in near darkness, looks at herself in the black mirror of her computer screen. Then, she looks at us.
Enter the strange and deceptive world of “The Sprawl,” Metahaven’s feature debut film.

Silent sword fighters stare at us. Silent actors look at us. They gaze at their screens, and at the deepest corners of YouTube. Strange and colorful interfaces overlay their appearance until medium and message become one. Together with master cinematographer Remko Schnorr and electronic musician Kuedo, Metahaven in “The Sprawl” create a new visual world for the internet’s geopolitical agitprop.

Nowadays, films live in a thousand and one forms on the internet. As short trailers, fragments, cloud-based copies of copies, endangered data, self-hosted vaults, and so on. Viewing cinema on a laptop screen is only possible when remembering that such an experience has little to do with cinema itself. As a hybrid, episodic documentary, “The Sprawl”‘s story isn’t linear. The film lends itself to be seen as a succession of impressions—a trailer, forever unfinished; the duration of each of those video pieces, or “shards,” is attuned to an attention span that is cinema and more internet. is the online interface for The Sprawl, where the viewer can see the “shards” that make up the full version of the film. The website has been shaped by the interface design of Metahaven and the viewing algorithms of YouTube.

Find us on Twitter, Tumblr, YouTube, Vimeo and Instagram.

Festivals and Screenings
—YBCA, San Francisco
18 December 2015—3 April 2016
Immersive video installation
—International Film Festival Rotterdam
27 January—7 February 2016
Selected for the Bright Future Main Programme
—Les Laboratoires d’Aubervilliers, Paris
Screened as part of Glass Bead “The Depth and the Ply,” 19 February 2016
—Museum of Modern Art Warsaw
19 February—5 May 2016
Immersive video installation, exhibited as part of the group exhibition “Bread & Roses – Artists and the Class Divide.”
—Brighton Festival
7—29 May 2016
Immersive video installation, exhibited as part of the 50th anniversary edition of the Brighton Festival.

The Sprawl (Propaganda About Propaganda)
—written and directed by Metahaven
—featuring Benjamin H. Bratton, Maryam Monalisa Gharavi, and Peter Pomerantsev
—music by Kuedo
—cast: Gwen Pol, Georgina Dávid, Annabel Reid
—screen gazers: Georgina Dávid, Xuanhong Huang, Astrit Ismaili, Kees de Klein, Annabel Reid, Sofija Stankovic, Xiaoyao Pippa Xu
—camera: Remko Schnorr and Metahaven
—co-produced by Lighthouse and Metahaven
—commissioned by Lighthouse and The Space

—senior producer: Emily Kyriakides
—development producer: Sian Habell-Aili
—artistic director: Juha van ’t Zelfde
—executive director: Miriam Randall
—communications manager: Aleida Strowger

production manager (NL): Anna Spierings, Lucy Chinen
production manager (UK): Fiona Fletcher

director of photography: Remko Schnorr
additional photography: Metahaven, Solveig Suess
camera & lighting assistant: Elisa Grasso
sound on set: Ferry de Pater, Tim van Peppen

editing: Metahaven
editing consultant: Daniel Goddard

music and sound design: Kuedo
web design: Metahaven
web programming: Jonas Lund

—Vinca Kruk and Daniel van der Velden
—research assistant: Lucy Chinen
—design assistant: Kees de Klein
—3D animation: Benedikt “Mad Max” Wöppel
—Russian script consultant: Anastasia Kubrak
—interns: Anastasia Kubrak, Raf Rennie, Chloe Scheffe, Yee Jin Sha, Solveig Suess, Barron Webster, Joeri Woudstra

sound mix: Ranko Paukovic
color grading: Tobias Corba (FONO)
hair and make-up: Aga Urbanowicz

voice-over: Masha Pruss
additional voice-over: Henrietta Meire

camera equipment: Camera Rentals
lighting equipment: Schram Studios
studios: Schram Studios, NL Studios

Excerpts from
—Leo Tolstoy
“What is Art?,” 1897
translation by Aylmer Maude
—Anna Akhmatova
“Requiem,” 1935—1940
translation by Nancy K. Anderson
—Nikolai Berdyaev
“Dream and Reality; An Essay in Autobiography”
—Qur’ân, Sûrat Taha
Chapter 20, verse 132
translation N.J. Dawood

translations Russian: Anastasia Kubrak, Ekaterina Kholyapina
translations Arabic: Selim Helmi, Remke Kruk

Music by Kuedo
—Vertical stack
—Border state collapse
—Case type classification
—Eyeless angel intervention
—Event tracking across populated terrain
all Kuedo tracks courtesy of Knives / Just isn’t music

Music by Enjoykin
—Nyash Myash
courtesy of Enjoykin

—Abkhazian News Network Agency (ANNA News), Neuromir TV—, RT (TV-Novosti), Bellingcat, Euronews, Enjoykin, Grit TV—, Internet Party of Ukraine—, Politrussia, ITAR-TASS, ITN (Truthloader), My Revolution—Video Diary from Kiev, Nickolay Ovcharov, ECO Media TV

The producers would like to thank
—Charlie McGough, Bas Schram, Suzan Breedveld (NL Studios), Syb Groeneveld, Anthony Lilley, Maria Bota, Sarah Toplis, Ingrid Kopp, Ruth Mackenzie
Metahaven would like to thank
—Juha van ’t Zelfde, Sian Habell-Aili, Benjamin H. Bratton, Maryam Monalisa Gharavi, Peter Pomerantsev, Paul Fuller, Ceci Moss, Joowon Park, Femke Herregraven, Sarah Toplis, Kees van der Velden, Remke Kruk, Frans Oort, Vesper van der Velden

The Sprawl is one of four winning projects selected for the first Open Call by The Space, a joint BBC and Arts Council England commissioning body supporting art that employs technology to push the boundaries of creative expression.
Thanks to the Netherlands Film Fund, the Dutch Cultural Media Fund and Creative Industries Fund NL

© Metahaven, 2016